K-Pop

Korea This Week (May 28 – June 3)

A selection of this week’s news and commentary on Korean culture


Is K-Pop a genre?

With the appearance of the all-American, self-proclaimed “K-Pop” group EXP Edition, the opening of K-pop cram schools in New York, and Jaden Smith announcing his intention to “drop a K-Pop single“, it was probably inevitable that fans and critics of K-Pop would eventually weigh in on the question

EXP-Edition-Group-Photo-Featured

EXP Edition

of what exactly K-Pop is; specifically, whether it is by definition a thing made only by Koreans, or whether it is a genre (like rock, hip hop, jazz, and many others) that has escaped the boundaries of its birthplace and is now open to any performer anywhere to borrow, imitate, or appropriate.

Last week, two K-blog heavyweights weighed in on the issue. “The Korean”, of the popular Ask a Korean blog argued that K-Pop is not a genre, and that the term refers to any form of popular music that is a product of Korea (read his full take on the subject here). Roboseyo, writing on his long-running, eponymous blog, argues that K-Pop is in fact a genre, and notes that the label is not used to refer to all music out of Korea. Whatever the case, if you find the question interesting, these are two considered opinions very much worth reading in their entirety.

Siesta, Korean style

studentsleepingKoreans are one of the most-sleep deprived groups of people in the world, clocking fewer hours of sleep than any other OECD country. Because of this, it’s still common to see commuters dozing on trains and buses, students nodding at their desks, and office workers consuming much more caffeine than was the case even a few years ago.

Since 2014, sleep-deprived office workers in Seoul have had another option to remedy their lack of shut-eye: the opportunity to get some quality downtime in a “sleep café”, which are places where visitors can pay a small fee and crash for a while before heading back to work. Personally I am cheering for these places to take off – many times have a wished there were a place to crash other than my office chair or local Starbucks sofa.

On the appeal of K-dramas in Malaysia

Though some Westerners these days are tuning into Korean dramas, many others (like myself) often find it hard to understand the appeal. Apparently this is true of a lot of Asian observers as well, like the staff at Cilisos, a Malaysian news magazine, who recently asked Malaysian fans of K-dramas what they liked about them. The resulting comments were interesting and touched on everything from the lack of

kdramakiss

Kissing tends to come late in the season, and is thus a bigger deal.

lighthearted fare from Hollywood, the focus on emotional rather physical intimacy, and the fact that Korean dramas often end after one season (which makes committing to a K-drama seem a lot less daunting than diving into an American serial drama).

Though I occasionally tune into whatever current drama my wife and kids are watching at home, I still don’t know if I’m sold, but it’s good to keep in mind that much of that stuff wasn’t made with middle-aged American guys in mind. To paraphrase Bill Clinton’s campaign manager James Carville, “It’s the Asian market, stupid!”

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Korea This Week (May 21-27)

A distillation of select news from the peninsula


Tourism promotion has always been tricky business in Korea. In this writer’s humble opinion, one of the main stumbling blocks has been a problem of perspective, specifically, a tendency of Korean tourism promoters to consistently overrate the appeal of traditional Korean culture to international tourists.

People travel for a variety of reasons – experience, entertainment, relaxation, enrichment – but rather than consider what kinds of things tourists would like to see, do, or experience, tourism officials more often seem to promote Korea the way they would like people to experience it. As a result, their offerings and suggested itineraries often end up sounding less like an exciting holiday package and more like a high school class trip.

With the exception of Chinese and Japanese tourists ( who can pop over for weekend if they want), people from most anywhere else have to travel a long distance to get here, and the reason for doing so has to be something a bit more compelling than making kimchi, watching a mask dance, taking a pottery class, or visiting a museum dedicated to the history of the song Arirang (I’m not making that up). In short, Korea is a cool place to

Arirang score

All together now!

visit, but you wouldn’t always know that from reading the official tourism literature.

In other news, last Sunday, the band BTS won Billboard’s Best Social Artist prize, and in doing so became the first K-Pop group to win a Billboard award. I’m not a K-Pop fan (mainly because I’m a 46-year old male), but you have to give credit where it is due: winning at an American awards ceremony despite having no songs in English and only one band member who is fluent in the language is a remarkable achievement.

Some were quick to point out that we shouldn’t read too much into it however, because it was a fan-voted prize. Anyone who recalls 2011, when the K-pop singer Rain won Time Magazine‘s poll for “The World’s Most Influential Person” (beating out Barack Obama, Oprah Winfrey, and a comically incredulous Stephen Colbert), knows very well that you never – ever – challenge a Korean entertainer to an online poll. You will lose. Badly.

BTS also sold out a 5-show arena tour in the US earlier this year, which has fired dreams of bigger success in the North American music market, something that has so far eluded Hallyu stars (who, to be fair, have mainly focused their energies elsewhere). If the current South Korean / Chinese spat over the THAAD missile system deployment drags on, cracking into the US and other markets could become a bigger priority for K-Pop acts. Stay tuned…